Mei lan fang biography of abraham

  • Mei Lan-Fang (Original, Special, Solo) opened in New York City Feb 17, 1930 and played through Mar 22, 1930.
  • Mei Lanfang's impact on America continued beyond his triumphal 1930 tour.
  • Mei Lan-Fang (1894 - 1961).
  • More Productions by Opening Date

    PorgySep 13, 1929
    Oct 1929
    JennyOct 08, 1929
    Jan 1930
    LollyOct 16, 1929
    Nov 1929
    CharmNov 28, 1929
    Dec 1929
    DianaDec 09, 1929
    Dec 1929
    SevenDec 27, 1929
    Jan 1930
    CarmenJan 06, 1930
    Jan 18, 1930
    FaustJan 06, 1930
    Jan 18, 1930
    SariJan 29, 1930
    Feb 08, 1930
    RitzyFeb 10, 1930
    Mar 1930
    MacbethMar 24, 1930
    Closing date unknown
    HamletMar 24, 1930
    Closing date unknown
    JonicaApr 07, 1930
    May 10, 1930
    LegendMay 06, 1930
    May 06, 1930
    Sun-UpMay 09, 1930
    May 09, 1930
    EyesMay 09, 1930
    May 09, 1930
  • mei lan fang biography of abraham
  • By Philip Valenti 

                 “He is appreciated, not because he is ‘really like an American,’ but because he is truly Chinese.  He has even caused us to question our own dramatic forms and our manners.  And he has led many of us to respect the Chinese and their civilization in a way no amount of preaching has ever done.”  

                            -Edward C. Carter, “Mei Lan-Fang in America,” Pacific Affairs, September 1930.

                The histories of China and America have been intertwined since well before the American Revolution of 1776.  The great American Founding Father Benjamin Franklin looked to China rather than Europe to be the model for the new United States, while the ideas of Confucius influe

    Stars of the Early San Francisco Stage

    The great California Gold Rush transformed San Francisco from a trött village into a vibrant metropolis in a matter of months, changing the city from cultural backwater to entertainment mecca. The 75,000 dock who made their way to the raw, muddy town in 1849 were mostly ung and footloose, with scant family responsibilities, few religious or social inhibitions, gold in their pockets, and a raging appetite for all forms of stimulation, intoxication, and diversion. They wanted to spend their time and their gold dust on the loftiest and the lowest amusements.

    San Francisco's mix of Harvard graduates, farm boys, European miners, entrepreneurs, sophisticates, and ruffians constituted an enthusiastic audience for live entertainment. Early San Franciscans had an insatiable appetite for the stage and all of its pursuits, whether high tragedy, low comedy, grand opera, minstrelsy, burlesque, concerts, popular songs, dance, or circus.

    Chin