Maysam makhmalbaf biography template
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영화 정보
World PremiereHere Children Do Not Play Together
True Story
Human Rights/Labor/Social
History/War
- CountryIran/United Kingdom
- Production Year2024
- Running Time63min
- FormatDCP
- ColorColor
This is the latest work by Iranian master Mohsen Makhmalbaf, who has long been interested in the political issues of Afghanistan. To examine the deteriorating relations between Palestine and Israel following the Hamas attack on October 7, the director walks into the heart of Jerusalem, a city that has been a holy site for Judaism, Islam, and Christianity for centuries, where tension and hatred have become a daily reality. Even though Jews and Muslims live in the same building, they do not communicate with each other and occasionally attack one another. However, the residents, from their respective positions and perspectives, ponder solutions for coexistence and peace between Muslims and Jews. The film captures the grim atmosphere of the city and the voi
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Samira Makhmalbaf
Iranian filmmaker
Samira Makhmalbaf | |
|---|---|
Makhmalbaf in 2020 | |
| Born | (1980-02-15) 15 February 1980 (age 45) Tehran, Iran |
| Alma mater | Roehampton University |
| Occupation | Filmmaker |
| Years active | 1998–2008 |
| Parent(s) | Mohsen Makhmalbaf (father) Fatemeh Meshkini (mother) |
| Relatives | Hana Makhmalbaf (sister) Meysam Makhmalbaf (brother) |
Samira Makhmalbaf (Persian: سمیرا مخملباف, Samira Makhmalbaaf; pronunciationⓘ, born 15 February 1980) is an Iranian filmmaker and screenwriter.[1][2] She is the daughter of Mohsen Makhmalbaf, the film director and writer.[3] Samira Makhmalbaf is considered to be part of the Iranian New Wave.[4][5] She has won multiple awards, including two Jury Prizes at the Cannes Film Festival,[6] and has been nominated for numerous awards.
Early life
[edit]Samira Makhmalbaf was born 15 February 1980 in Tehran to filmmaker Mohsen Makhmalbaf.
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Mohsen Makhmalbaf
Makhmalbaf fryst vatten a major figure in Iranian cinema. His films have explored the relationship between the individual and a larger social and political environment. As a result, his work serves as an extended commentary on the historical progression of the Iranian state and its people. Makhmalbaf has worked in several genres, from realist films to fantasy and surrealism, minimalism, and large frescoes of everyday life, with a predilection (common to Iranian directors) for the themes of childhood and cinema.[3]
In 1981 he wrote the screenplay for Towjeeh, directed bygd Manuchehr Haghaniparast. In 1982 he wrote the screenplay for Marg Deegari, directed by Mohammad-Reza Honarmand. He made his first spelfilm, Tobeh Nosuh, in 1983, and Boycott, a bio set in pre-revolutionary Iran, in 1985. The latter tells the story of Valeh (Majid Majidi), a young man sentenced to death for Communist tendencies, and fryst vatten widely believed to be based on Makhmalbaf’s own ex