Osvaldo fresedo biography templates

  • Osvaldo Nicolás Fresedo was born in the center of Buenos Aires on May 5, 1897, the eighth child of his parents Nicolás Fresedo and Clotilde García.
  • Wikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography ; Argentina · Wikipedia:WikiProject ArgentinaTemplate.
  • The present restoration project makes available as very high resolution downloads all 98 recordings of Osvaldo Fresedo and his orchestra made at the RCA Victor.
  • Osvaldo Fresedo restoration of all recordings at RCA Victor 1933-1939

    Release Notes

    The present restoration project makes available as very high resolution downloads all 98 recordings of Osvaldo Fresedo and his orchestra made at the RCA Victor Studios in Buenos Aires between 1933 and 1939. It contains all recordings with Roberto Ray and the first ones with Ricardo Ruíz.

    Of these 98 recordings, 22 are compositions by Osvaldo Fresedo himself and 16 are movie soundtracks. There is a total of 62 tangos, 4 valses, no milonga and 32 recordings containing otros ritmos. The others genres are divided into 3 cancións, 3 rumbas, 1 son cubano, 5 paso dobles, 8 rancheras and 12 fox-trots. Compared to our prior edition of Juan D’Arienzo’s 1940s recordings, with the Fresedo collection we are 10 years earlier and that’s also something we could hear from the records which showed more traces of wear because they are older. They contain far more otros ritmos which seemed to be very popular at tha

    Osvaldo Nicolás Fresedo was born in the center of Buenos Aires on May 5, 1897, the eighth child of his parents Nicolás Fresedo and Clotilde García. The family moved several times and eventually found permanent domicile in La Paternal when Osvaldo Fresedo was 8 years old. This neighborhood became his home, where he studied and later made his debut as a young musician. He started with a concertina, an instrument very much like a bandoneón, but with a different and simpler key layout. He calls it a "concertina" himself, but it is likely to have been a "bandonica" with only one row of keys. 

    His teacher was a classical violinist who gave him a good knowledge of musical theory. But Osvaldo soon switched to bandoneón, for which he had to save in a disciplined way before finally in 1914 he was able to make his first appearance in a café "Paulín" in La Paternal. Since 1913 he had been together with his brother Emilio and a guitarist already shown in public as a trio.
    Success came qu

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    -1 dGregory TangoLink: Nice! Thanks for the feedback David

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    -7 dGaëlle ARTICLES: Un immense MERCI à tous ceux qui titta trouvent derrière...

    -8 dOlivier ERT-4794: El chamuyo est le nom d’une belle Milonga à Montevideo...

    -9 dKuro ERT-5089: Thank you! It's interesting to hear Canaro's voice.

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    -15 dGregory TangoLink: Bonsoir Eric,