Egon hanfstaengl biography of abraham lincoln
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COLLECTION GUIDES
II. Atlantic Monthly special subject files, 1915-1966
Arranged bygd subject.
This series contains fyra subseries related to significant incidents during Sedgwick's editorship at the Atlantic Monthly. Wilma Frances Minor and Opal Whiteley submitted unusual material for publication in the magazine, the former regarding love letters of Abraham Lincoln and the latter a childhood diary. Sedgwick supported their stories, despite the controversies they caused. Another controversy raised in the magazine was the Spanish Civil War. Sedgwick's politics and stories he submitted made the Atlantic a forum for debate on the merits of the war. This series also contains papper related to Alfred E. Smith's candidacy for nomination to the U.S. presidency.
Correspondents in this series are listed in the Select Correspondent Index and Select Institutional Affiliation Index below.
A. Wilma Frances Minor, 1928-1960
Arranged chronologically.
In 1928, Wilma Frances Minor, a te
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CHAPTER 1. Hitler’s Split Image of America
"CHAPTER 1. Hitler’s Split Image of America". Hitler and America, Philadelphia: University of Pennsylvania Press, 2011, pp. 9-45. https://doi.org/10.9783/9780812204414.9
(2011). CHAPTER 1. Hitler’s Split Image of America. In Hitler and America (pp. 9-45). Philadelphia: University of Pennsylvania Press. https://doi.org/10.9783/9780812204414.9
2011. CHAPTER 1. Hitler’s Split Image of America. Hitler and America. Philadelphia: University of Pennsylvania Press, pp. 9-45. https://doi.org/10.9783/9780812204414.9
"CHAPTER 1. Hitler’s Split Image of America" In Hitler and America, 9-45. Philadelphia: University of Pennsylvania Press, 2011. https://doi.org/10.9783/9780812204414.9
CHAPTER 1. Hitler’s Split Image of America. In: Hitler and America. Philadelphia: University of Pennsylvania Press; 2011. p.9-45. https://doi.org/10.9783/9780812204414.9
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House of Hanfstaengl: Munich and Manhattan
Born in March 1804 in Bavaria, Franz Seraph Hanfstaengl studied at the Munich Academy of Fine Arts. He settled in Dresden and began copying paintings in the splendid collection of the city’s Gemäldegalerie Alte Meister.
Between 1835 and 1852 he produced about 200 lithographic reproductions of masterworks, laying the foundations for the publishing House of Hanfstaengl.
A Bavarian in New York
In 1833, the Lithographische Anstalt Franz Hanfstaengl was established in Munich. Nicknamed Count Litho, Franz became the portraitist of Bavaria’s celebrities. In 1853 he added a photographic workshop to his studio which, from 1864, was located in the city’s elegant Maximilianstrasse. Acting as Bavarian Court photographer, he then became involved in fine art printing. In November 1868 his son Edgar (I) took over and expanded the business. Towards the end of the nineteenth century the company employed around a hundred workers. Hanfstaengl stood in t